© Bluebird Photography UK

Biographie

The music of composer Katherine Balch (b. 1991) captures the magic of everyday sounds, inviting audiences into a sonic world characterized by imagination, discovery, and a rich diversity of styles. Balch is often inspired by literature, nature, and science, aptly reflected in the San Francisco Chronicle’s description of her as “some kind of musical Thomas Edison – you can just hear her tinkering around in her workshop, putting together new sounds and textural ideas.” 

Her facility in elevating ordinary sounds through large-scale orchestration and dramatic narrative arcs has led to commissions and performances with the Los Angeles Philharmonic, London Sinfonietta, Orchestre Philharmonique de Radio France, Ensemble Intercontemporain, Ensemble Modern, and the symphony orchestras of Boston, Minnesota, Oregon, Albany, Indianapolis, and Tokyo. She has been featured on IRCAM’s ManiFeste, Fontainebleau Music Festival, and Festival MANCA in France, Suntory Summer Arts and Takefu Music Festival in Japan, and the Aspen, Norfolk, Santa Fe, and Tanglewood music festivals in the United States. Among her recent compositions is the cello concerto whisper concerto (2023), jointly commissioned by the Dallas Symphony Orchestra, the Staatsorchester Darmstadt and BBC Radio 3.

Nominated by violinist Hilary Hahn, Balch was announced as the recipient of the Dallas Symphony Orchestra’s 2020 Career Advancement Award. She has also been honored by ASCAP, BMI, the American Academy of Arts and Letters, Chamber Music America, and Barlow Foundation, and has served as composer-in-residence for Young Concert Artists and the California Symphony. In 2021, she has been in residence at the American Academy in Rome as the Elliot Carter Rome Prize Fellow. 

Deeply committed to developing inclusive, engaging pedagogical practices that empower students through creative music-making, Balch currently teaches composition and orchestration at Mannes School of Music. She is a doctoral candidate at Columbia University and an alumna of the Yale School of Music. Her chamber works are published by Schott PSNY. Katherine documents her lived experiences on the page, with each composition serving as a diary of what has captivated her curiosity. When she’s not creating, she’s collecting inspiration from the nearest botanical gardens, Rimbaud’s poetry, or her feline sidekick, Zarathustra.

Œuvre

Musica Pyrialis

Pour orchestre symphonique
Publication : Schott
SÉLECTION 2025

Œuvre nominée en 2025
pour le Prix de Composition Musicale 2027

L’essentiel de ma musique essaie de filtrer les images et les sons de mon environnement à travers les instruments pour lesquels je compose, un peu comme un tamis musical.

Dans musica pyralis, [Musique de la luciole], l'orchestre chante le paysage sonore estival de ma maison dans le Connecticut rural, où, grâce à une pollution lumineuse limitée, les lucioles éclairent timidement la cacophonie nocturne des grenouilles, des grillons et de bien d'autres petites créatures.

La nature est le meilleur orchestrateur - malgré la saturation du paysage sonore, chaque bruiteur peut s'entendre et être entendu, car il occupe des niches sonores et des timbres distincts.

Dans cette ouverture de concert, j'essaie (pour l’essentiel) de capturer un aperçu de cette densité miraculeusement transparente et de mettre en musique le scintillement délicatement omniprésent du Photinus pyralis - la luciole commune (des États-Unis). 

Katherine Balch
Texte traduit de l’anglais