The work was sponsored by Bénédicte Ramade, art critic and curator, France.

Up Side Down depicts the deconstruction of an standard American mobile home. Floor, ceiling and side walls build a new exhibition space evoking landscape and mobility, domesticity and nature. The pathetic conquest of American territory is seen here by the immobilization of a minimum disposable architecture. Contemporary Archaeology of the topography, Up Side Down describes the symptoms of landscapes, rewritten strata of human history and culture.