Energy in sounds, carried by meaning
This is how French composer Benoît Menut likes to define his work. He is passionate about the close link between music and words, the latter being a permanent source of inspiration, both in his vocal and instrumental music. The simple rhythm of a verse, a word or a turn of phrase can be at the origin of a creative idea.
Winner of the SACEM Award 2016 for symphonic music (young composer category) and Laureate of the foundations Banque Populaire (2008) and Francis and Mica Salabert (2014), he composes in 2018 for the Opera of St. Etienne Fando et Lis, after F. Arrabal’s piece, and won for this first Opera the SACD New Talent Award 2019 and The Charles Oulmont Prize 2019. He has been pursuing a theatrical trajectory even more pronounced, both for the young public (Stella and the Wish Master, opera premiered at the Philharmonie de Paris in 2020, Symphonie pour une plume in 2016, for The Brittany Symphonic Orchestra, taken over by the National Orchestra of Île- de-France) that for all audiences (The legend of Saint Julien, after G. Flaubert, The little boy who wanted space, J. Giono).
This attraction is also materialized by collaborations with renowned vocal ensembles, such as Musicatreize, The Children Choirs of French National Radio and N-D of Paris, Les Cris de Paris, Les Discours...
Comprising more than 120 opus, his catalog embraces many forms of musical expression, and makes him one of the most prominent French composers of his generation. Chamber music writing - especially for string instruments - has a special place his work.
Born at the western tip of Western Europe, this former student of the Paris Conservatoire was awakened to the tradition by French composer Olivier Greif and continues today his singular path, with among others works inspired by the writers Christian Bobin and Pascal Quignard. He is careful to marry the requirement for lyrical and structured writing and a sincere desire to stay close to the audience and the performers, as a sort of "director" of emotions.
His last monographic record Les Îles, with Emmanuelle Bertrand, Maya Villanueva and the Ensemble Syntonia was released by Harmonia Mundi in 2020.
His music is published by Éditions Musicales Artchipel.
Nous sommes dans un monde post-apocalyptique. Bien après l’écroulement de notre monde, de la consommation, de la construction des villes de plus en plus hautes, de plus en plus écrasantes… Des « Babel » en puissance… C’est une fable sur la cruauté du monde et la solitude qui ronge les hommes, incapables comme Fando de supporter le silence, l’approche du vide. C’est un monde où la femme peu à peu se dissout, un no man’s land, dont Lis n’est plus que la dernière femme.
Nous sommes dans le temps de l’errance des hommes !
Un vent constant balaie le plateau
Une matière tombe du ciel (cendre ou autre ?)
C’est un monde hostile et rude.
Dans ce monde, il y a 5 hommes corbeaux qui occupent l’espace. Ils grimpent, déplacent les structures (mouvements de décor), volent dans les airs. Les manipulations du décor seront opérées par 4 des hommes corbeaux, le cinquième pourra être attribué à d’autres actions simultanément aux déplacements du lieu.
Kristian Frédric